Now

I go the school early enough to have the first turn, but I haven't arrived as first one yet. Maria does her usually her semi supine when I arrive, and as both us had a turn with Vivien Mackay, I got the second turn this time. I liked watching her working, yet working with her really stunned me. Her hands fluidly sensed my back, and it felt most of the time more than stroking than directing, a very pleasant sensation. The amount of release we accomplished made me incredibly light, and the softness of her touch allowed me a lot of ease.

In the group work she told us about the power of the right moment, which occurs when student and teacher connect their intention and move as one. Maria worked with me, assisted by Jenny, who compared the right moment with catching a wave. And indeed, once you missed a wave, you have to start over again, and take the next one. As much as teacher can sense the student holding, I could feel Maria's apprehension sometimes during the group work. By synchronising intention, flow can happen. Once the right moment to move has come, this flows needs to continue, otherwise tensions on either side might interfere with the freedom of movement.

While having some biscuits and sparkly to celebrate Vivien's birthday I had a chance to talk some German again. Daniella's parents migrated to Australia shortly after her birth, and her German had an interesting mix of influences. The combination of an elating session with Vivien and some sparkly made me a bit tipsy, and I carried this cheerful mood into the performance. As I didn't dare as yet to sing, I enjoyed watching the way Vivien worked, and the change brought to Jose's singing.

Vivien's explanation that singing needs more not-doing than doing the right thing convinced me to give it go next time, singing the old Hans Albers "Auf der Reeeperbahn nachts um halb eins".